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Batman
Title card for the Batman television series.
Format	Action Comedy
Created by	Bob Kane (characters) William Dozier (series)
Starring	Adam West Burt Ward Alan Napier Neil Hamilton Stafford Repp Madge Blake and Yvonne Craig{3rd Season}
Theme music composer	Neal Hefti
Country of origin	United States
No. of seasons	3
No. of episodes	120 (List of episodes)
Production
Running time	30 minutes (with ads)
Broadcast
Original channel	ABC
Original run	January 12, 1966 – March 14, 1968
External links
IMDb profile

Batman is a 1960s American television series, based on the DC comic book character Batman. It aired on the American Broadcasting Company (ABC) for 2½ seasons from January 12, 1966 to March 14, 1968. Because the series had two weekly installments for most of its tenure, it contained the same number of episodes as a five-year or even a five-and-a-half-year run by today's standards (shooting 22-24 episodes per season).

Genesis of the series

In the early 1960s, Ed Graham Productions optioned the TV rights to Batman, and planned a straightforward juvenile adventure show, much like Adventures of Superman and The Lone Ranger, for CBS on Saturday mornings. Mike Henry, who would later go on to star in the Tarzan franchise, and is best known for his portrayal of Jackie Gleason's dipstick son in the Smokey and the Bandit movies, was set to star as Batman. Reportedly, DC Comics commissioned publicity photos of Henry in a Batman costume. Around this same time, the Playboy Club in Chicago was screening the Batman serials (1943's Batman and 1949's Batman and Robin) on Saturday nights. It became very popular, as the hip partygoers would cheer and applaud the Dynamic Duo, and boo and hiss at the villains. East coast ABC executive Yale Udoff, a Batman fan in childhood, attended one of these parties at the Playboy Club and was impressed with the reaction the serials were getting. He contacted west coast ABC executives Harve Bennett and Edgar Scherick, who were already considering developing a TV series based on a comic strip action hero, to suggest a prime time Batman series in the hip and fun style of The Man from U.N.C.L.E.

When negotiations between CBS and Graham stalled, DC quickly reeled the rights back in and made the deal with ABC. ABC farmed the rights out to 20th Century Fox to produce the series. Fox, in turn, handed the project to William Dozier and his Greenway Productions. Whereas ABC and Fox were expecting a hip and fun, yet still serious, adventure show, Dozier, who loathed comic books, concluded the only way to make the show work was to do it as a pop art camp comedy. Originally, mystery novelist Eric Ambler was to write the motion picture that would launch the TV series, but he dropped out after learning of Dozier's camp comedy approach.

By time ABC pushed up the debut date to January 1966, thus foregoing the movie until the summer hiatus, Lorenzo Semple Jr. had signed on as head script writer. He wrote the pilot script, and generally kept his scripts more on the side of pop art adventure. Stanley Ralph Ross, Stanford Sherman, and Charles Hoffman were script writers who generally leaned more toward camp comedy, and in Ross' case, sometimes outright slapstick and satire. Instead of producing a one-hour show, Dozier and Semple decided to have the show air twice a week in half-hour installments with a cliffhanger connecting the two episodes, echoing the old movie serials. Initially, Dozier wanted Ty Hardin to play Batman, but he was unavailable, filming Westerns in Europe. Eventually, two sets of screen tests were filmed, one with Adam West and Burt Ward, the other with Lyle Waggoner and Peter Deyell, with West and Ward winning the role

The typical formula story began with the villain (typically one of a short list of recurring villains) committing a crime, such as robbing a bank. This was followed by a scene inside Police Commissioner Gordon's office where he and Chief O'Hara would deduce exactly which villain they were dealing with. Gordon would press a button on the Batphone, signaling a cut to Wayne Manor where Alfred, the butler, would answer the manor's Batphone, a bright red telephone that beeped loudly instead of ringing on the desk in Bruce Wayne's study. Alfred would then interrupt Master Bruce Wayne and Dick Grayson - usually they would be found talking with Aunt Harriet, who didn't know of their dual life - with a pretext to draw them away to answer the Batphone. Upon hearing of his enemy's schemes, Bruce would push a button concealed within a bust of Shakespeare that stood on his desk, opening a hidden door in a bookcase and revealing two poles. Wayne and Grayson would slide down the poles and flick a switch on their way down. This was usually where the animated title sequence would occur.

They would arrive in the Batcave in full costume and jump into the Batmobile, Batman in the driver's seat. Robin would say "Atomic batteries to power, turbines to speed" and Batman would respond "Roger, ready to move out" and the two would race off out of the cave at high speed. As the Batmobile approached the mouth of the cave, a hinged barrier dropped down to allow the car to exit on to the road.

After arriving at Commissioner Gordon's office, the initial discussion of the crime usually led to the Dynamic Duo (Batman and Robin) conducting their investigation alone. In the investigation, a meeting with the villain would usually ensue with the heroes getting involved in a fight and the villain getting away, only to come back and fight again later in the show. Here, the villain would capture one or both of the heroes and place them in a deathtrap with a cliffhanger ending which was usually resolved in the first few minutes of the next episode.

The same pattern was repeated in the following episode until the villain was defeated.

Season 2

In Season 2, the show suffered from repetition of its characters and formula. This, combined with Lorenzo Semple Jr. contributing fewer scripts and having less of an influence on the series, caused viewers to tire of the show and for critics to complain, "If you've seen one episode of Batman, you've seen them all".

Season 3

By Season 3, ratings were falling and the future of the series seemed uncertain. A promotional short featuring Yvonne Craig as Batgirl and Tim Herbert as Killer Moth was produced. The short was convincing enough to pick up Batman for another season, and introduced Batgirl as a regular on the show in an attempt to attract more female viewers. Batgirl's alter ego was Barbara Gordon, a mild-mannered librarian at the Gotham Library, and Commissioner Gordon's daughter.^[1] The show was reduced to once a week, with mostly self-contained episodes, although the next week's villain would be in a tag at the end of the episode, similar to a soap opera. As such, the narrator's cliffhanger phrases were eliminated, but most episodes would end with him saying something to the extent of "Watch the next episode!"

Aunt Harriet was reduced to just two cameo appearances during the third season, due to Madge Blake being in poor health. (Aunt Harriet was also mentioned in another episode, but was not seen; her absence was explained by her being in shock upstairs.) The nature of the scripts and acting started to enter into the realm of the surreal, specifically with the backgrounds, which became two-dimensional cut-outs against a stark black stage.

[edit] Cancellation

At the end of the third season, ABC planned cuts to the budget by eliminating Chief O'Hara and Robin, while making Batgirl Batman's full time partner. Both Dozier and West opposed this idea, and ABC cancelled the show a short time later. Weeks later, NBC offered to pick the show up for a fourth season and even restore it to its twice a week format, if the sets were still available for use. However, NBC's offer came too late: Fox had already demolished the sets a week before. NBC didn't want to pay the $800,000 to rebuild, so the offer was withdrawn. Batman was replaced on ABC by the sitcom The Second Hundred Years.

1970s reunions

In 1972, Burt Ward and Yvonne Craig reunited as Robin and Batgirl, with Dick Gautier stepping in as Batman (Adam West was, at the time, trying to distance himself from the Batman role) for a Women's Liberation Equal Pay public service announcement. In 1977, Adam West and Burt Ward returned to the Batman universe in animated form. West and Ward lent their voices to Batman and Robin respectively, on the Filmation-produced animated series, The New Adventures of Batman. West would once again reprise his role as Batman in animated form when he succeeded Olan Soule in the final two seasons of Super Friends. In 1979, West, Ward, and Frank Gorshin reunited on NBC for Hanna-Barbera's two Legends of the Superheroes TV specials.

Theme music

The title theme to Batman is one of the best-known theme tunes of all time. Composed by Neal Hefti, the song is built around a minimalistic and foreboding but catchy guitar hook reminiscent of spy film scores and surf music. It is a simple twelve bar blues progression using only three chords until the coda. The lyrics to the theme consist of ten cries of "Batman!", which were originally thought to be sung by a female chorus; however, Adam West's book Back to the Batcave reveals the "voices" to actually be instrumental, rather than vocal. These ten repetitions of "Batman!" were then followed by a coda of "Na na na na Na na na na BATMAN!"

The theme was the most recorded song of 1966. In addition to Neal Hefti's original version, and the television soundtrack version by Nelson Riddle, versions were covered by The Marketts, The Ventures, Dan and Dale, Al Hirt, The Who,The Standells and Jan and Dean, who released an entire concept album titled Jan & Dean Meet Batman. There were also versions by groups who seemed to exist solely for covering the song, such as "The Sensational Batboys" and "Bruce and the Robin Rockers".

The famously minimal song has been widely parodied in the decades since its debut, and remains a prominent pop-culture subject to this day. The theme has been re-recorded by dozens of artists, the most notable including Link Wray, The Kinks, Snoop Dogg, 50 Cent and Eminem, The Flaming Lips, The Who, Voivod, Alien Sex Fiend, Mucky Pup and The Jam.^{[citation needed]} Careful listeners will notice a higher-pitched version of the tune in the theme music for The Batman. In addition, artists Prince and R.E.M used the variations of (but did not remake) the TV show theme in their work: Prince, in the song Bat-dance (which appeared on the soundtrack to the 1989 movie), and R.E.M. in a rejected song for the Batman Returns soundtrack, later released under the title "Winged Mammal Theme," as a "B-side" to the single "Drive."^[2]

Popularity

Many sports, music, and media personalities, and a number of Hollywood actors, looked forward to and enjoyed their appearances as villains on the Batman show. They were generally allowed to overact and enjoy themselves on a high-rated TV series, guaranteeing them considerable exposure (and thus boosting their careers). The most popular villains on the show included Cesar Romero as the Joker; Burgess Meredith as The Penguin; Frank Gorshin as The Riddler; and Julie Newmar as Catwoman. Other famous names from the "rogues gallery" in the comic book series made appearances on the show (notably The Mad Hatter), and some were taken from other superheroes, such as The Archer and The Puzzler (Superman villains) and The Clock King (a Green Arrow villain). Many other villains were created especially for the TV show, and never did appear in the comic books (e.g., The Siren, Chandelle, Bookworm, King Tut, Lord Ffogg, Dr. Cassandra, and Louie the Lilac), while some were hybrids. The comics' Mr. Zero was renamed Mr. Freeze (a name change that was copied in the comics with lasting effect), and the comics' Brainy Barrows was reworked as Egghead. Other celebrities often appeared in scenes where the Dynamic Duo were scaling a building wall and the celebrity would suddenly open a window and have a short conversation with the superheroes.

Adam West enjoys the story that he was part of two of the three Big B's of the 1960s: Batman, The Beatles and Bond. West says he was actually invited to play Bond in On Her Majesty's Secret Service based on his popularity as Batman, but declined the role as he felt it should be played by a British actor (ironically, the role went to an Australian, George Lazenby).

The popularity of the TV show did not translate well to the silver screen, however. A movie version of the TV show was released to theaters (see Batman (1966 film)), but it did not become a large box office hit, even though creatively the movie was generally regarded to be just as good as the first season episodes, and superior to most of the second and third season episodes.^{[citation needed]} The movie continued to be profitably re-released to theaters, TV, and video for decades. Originally, the movie had been created to help sell the TV series abroad, but the success of the series in America sold itself, and the movie was brought out after season one had already been aired. In fact, the movie's budget allowed for producers to build the Batboat and Batcopter, which were used in the second and third seasons of the TV show.

The live-action TV show was extraordinarily popular. At the height of its popularity, it was the only prime time TV show other than Peyton Place to be broadcast twice in one week as part of its regular schedule, airing at 7:30 p.m. Wednesdays and Thursdays. Episodes of the show were often filmed as two-part cliffhangers, with each storyline beginning on Wednesday and ending on the Thursday night episode. At the very end of the Thursday night segment, a little tag featuring the next week's villain would be shown, e.g.: "Next week -- Batman jousts with The Joker again!" (this started the third week of the series' run and continued until the end of season two). The first episode of a storyline would typically end with Batman and Robin being trapped in a ridiculous deathtrap, while the narrator (Dozier) would tell viewers to watch the next night with the repeated phrase: "Tune in tomorrow — same Bat-time, same Bat-channel!" Even now, many years after the show ceased production, this catch-phrase is still a long-running punchline in popular culture.

The show even contributed to the careers of two real-life New York City policemen, David Greenberg and Robert Hantz. This pair had a remarkable career as police officers, so much so that they were given street nicknames of "Batman and Robin". Their careers were fictionalized in the 1974 movie The Super Cops.Lasting impact

The series' stars, Adam West and Burt Ward, were typecast for decades afterwards, with West especially finding himself unable to escape the reputation the series gave him as a hammy, campy actor. However, years after the series' impact faded, West found fame and respect among comic book and animation fans, who appreciated his work on the TV series. One of the more popular episodes of Batman: The Animated Series paid tribute to West with an episode titled "The Grey Ghost". In this episode, West played the role of an aging star of a superhero TV series Bruce Wayne had watched as a child, and would be inspired by as a crimefighter, who found new popularity with the next generation of fans. He would also play Gotham City's Mayor Grange as a somewhat recurring role in The Batman. In addition, the most frequent visual influence is that later Batmobiles usually have a rear rocket thruster that usually fires as the car makes a fast start.

In 2003, West and Ward reunited for a tongue-in-cheek telefilm titled Return to the Batcave: The Misadventures of Adam and Burt which combined dramatized recreations of the filming of the original series (with younger actors standing in for the stars), with modern day footage of West and Ward searching for a stolen Batmobile. The film included cameo appearances by Newmar and Gorshin, as well as Lee Meriwether who had played Catwoman in the 1966 film and Lyle Waggoner, who had been an early candidate for the role of Batman. Yvonne Craig did not appear in the movie because she reportedly disliked the script. The movie received high ratings and was released on DVD May 2005.

Despite much popular demand, no DVD release of the series has to date occurred in North America, and this situation seems unlikely to be resolved in the near future. The problem as explained by the website TVShowsonDVD.com is that Warner Bros. owns the Batman character, while 20th Century Fox owns the TV series (Warner did not take over DC until 1976), and the two companies have, to date, yet to come to an agreement regarding home video/DVD release of the series (other stories discredit this as the reason, saying that it was later revealed that Warner Bros. isn't involved). This is why no VHS release of the series occurred, either. As a result, the 1966 feature film remains the only element of the original series officially available for non-broadcast viewing in North America. This even affected Return to the Batcave: The Misadventures of Adam and Burt, which was only able to make use of footage from the 1966 movie.

Influence

The television series' parodic tone stereotyped superhero adaptations for decades.

For many of the most famous later productions, a significant comedic tone was often used since it was assumed that the audience would never take the genre seriously on its own terms. For instance, while Richard Donner had the scripts for Superman and Superman II reworked to tone down the campy humor he objected to, he still made the villain, Lex Luthor, a comical figure accompanied with broader comic relief. On the audio commentary of the Superman DVDs, Donner explains that the original ending of Superman The Movie was to have been a Batman stye cliffhanger of General Zod, Ursa and Non escaping the Phantom Zone. By contrast, many fans complained that the comical tone of Superman III and Superman IV was so broad that it ruined the dramatic quality of the stories.

This influence was shown on later television series such as Wonder Woman which took on a campy tone. While occasionally other series like The Incredible Hulk took a more dramatic tone, they were often stripped of all but the most central concepts of the character fit into a mundane setting.

The films Batman and Batman Returns by Tim Burton gained attention for their conscious rejection of the TV series' stereotyped lighthearted tone. On the other hand, the films Batman Forever and Batman and Robin by Joel Schumacher emulated the 1960s series' spirit with increasing consciousness. However, the latter film proved a box office bomb and critical embarrassment for Warner Brothers.

That in turn discredited the campy approach and encouraged producers to see if Donner's more respectful approach to the source material could be more successful. The result is the X-Men and Spider-Man film series which have largely been significant popular and critical successes that the comic book fans have approved for their honoring of the source material while Batman Begins found similar success restarting the Batman film franchise with that artistic spirit in mind.

• Not counting six of the Penguin's henchmen who disintegrate or get blown up in the associated Batman theatrical movie, only four criminal characters die during the series: the Riddler's moll Molly (played by Jill St. John in Episode 2), a fake "Commissioner Gordon" who gets shot by the "Bookworm" (debatable: in the episode, it was believed the false Gordon was a trained stuntman who ultimately survived his fall), and two out-of-town gunmen who shot at the Dynamic Duo toward the end of the "Zelda the Great" episode, but ended up killing each other instead.

• A line spoken by Robin (Chris O'Donnell) in Batman Forever is a straight homage to the TV Robin's catch-phrase. During the movie he says, "Holey rusted metal, Batman," (referring to the island's land-scape which is made from rusted metal and has holes in it) which sounds intentionally similar to lines spoken by Robin beginning with the word "Holy" and ending with "Batman".

• William Dozier and Howie Horwitz, who served as producers on the show, also play cameo roles in the final episode ("Minerva, Mayhem and Millionaires"). Both Dozier and Horwitz also had a cameo part in "Fine Finny Fiends/Batman Makes the Scenes" when brainwashed Alfred Pennyworth looks at a computer file of mug shots, and comments on "two criminal types" (Dozier & Horwitz})

• Several cast members recorded records tied in to the series. Adam West released a single titled "Miranda", a country-tinged pop song that he actually performed in costume during live appearances in the 1960s. Frank Gorshin released a song titled "The Riddler" which was composed and arranged by Mel Tormé. The track captures Gorshin's insane portrayal perfectly. Burgess Meredith recorded a spoken word single called "The Escape" backed with "The Capture", which was The Penguin narrating his recent crime spree to a jazz beat.

• Lesley Gore, who plays "Pussycat" (one of Catwoman's henchwomen), was a popular singer of the day with hits such as "It's My Party". On the January 19, 1967 episode, she sang her top 20 hit "California Nights". Gore was also the niece of Howie Horwitz, one of the show's producers.

• At least one of the show's villains was based on a real-life criminal. Shelley Winters played "Ma Parker", a woman who commits a series of crimes in Gotham City along with her children (and actually manages to take over the Gotham State Penitentiary for a while). Her name was taken from Ma Barker, who supposedly headed a real-life criminal family in the 1930s.

• Adam West pitched an idea to have Robert Lowery, who played Batman in the 1949 serial, on the show as Bruce's oft-mentioned but never seen "Uncle Phillip", but the deal never happened.^[3]

• Only two of the series guest villains ever discovered Batman's true identity: Egghead by deductive reasoning, and King Tut on two occasions (once with a bug on the Batmobile and once by accidentally mining into the Batcave). Egghead was tricked into disbelieving his discovery, and Tut's recurring amnesia made him forget both times.

• Of the big four criminals (Riddler, Joker, Penguin (comics), and Catwoman), only Riddler never entered the Batcave. However in the movie Return to the Batcave: The Misadventures of Adam and Burt, Riddler finally entered the Batcave.

• Jill St. John, who played Molly in Episode 2, performed the infamous "Batusi" with Batman in a go-go club. For months afterward, the Batusi was a favorite on dance floors across the nation.

• The episodes "Death in Slow Motion" and "The Riddler's False Notion" deal with silent movies: both Neil Hamilton and guest star Francis X. Bushman began their movie careers in silent pictures.

• Batman was one of the first television programs to stress the wearing of seat belts, regularly showing Batman and Robin buckling their seat belts in the Batmobile before leaving the Batcave. Seat belts were not mandatory in most of the United States until 1968.^{[citation needed]}

• The opening theme of this series can be heard at the 10th stage of the arcade game City Connection.

• Although the setting for the series was Gotham City (as with virtually all Batman serials), several NYC locations are noted throughout the series. Among them is one scene showing the New York Public Library Central Research Building on West 42nd Street. Portions of the 1966 film also were shot on location in NYC.

• Neil Hamilton and Yvonne Craig, Commissioner Gordon and his daughter Barbara in the series, had previously played father and daughter in an episode of Perry Mason.

The Batman-influenced Pittsburgh Steelers jerseys the team wore in 1967.

• Batman would even have influence in the sports world. During the height of the show's popularity, the Pittsburgh Steelers unveiled new uniforms influenced by Adam West's Batman outfits. The uniforms were introduced for the 1967 NFL season, and had gold triangle-like diamonds on the shoulders of both the black home jerseys and white away jerseys. However, the jerseys turned out to be very unpopular and, coupled with a last-place season that year, were discarded the following season in favor of the team's current-style uniforms.

Regular cast

• Adam West - Batman/Bruce Wayne - A caped crusader whose parents were murdered when he was a child.
• Burt Ward - Robin/Dick Grayson - Batman's faithful partner and "boy wonder".
• Alan Napier - Alfred Pennyworth - Batman's loyal butler.
• Neil Hamilton - Commissioner James Worthington Gordon - Gotham City Commission of Police.
• Stafford Repp - Chief Miles O'Hara - Gotham City Chief of Police.
• Madge Blake - Aunt Harriet Cooper - Dick Grayson's maternal aunt.
• Yvonne Craig - Batgirl/Barbara Gordon - Commissioner Gordon's daughter and Batman's partner (Season 3).
• Lee William Asher - Delbert Ridgley - Mayor of Gotham City (recurring).

Guest appearances

Main article: Batman (TV): Guest appearances and episodes

Parodies in the series

• The television show was famous for parodying names of many famous celebrities of the day. Among the most notable were newscasters Walter Cronkite (known as "Walter Klondike" on Batman), and Chet Huntley (he's known as "Chet Chumley" on the show). Steve Allen played himself on the show, and was known as "Allen Stevens". J. Pauline Spaghetti (a woman who is almost tricked into giving up her fortune to the notorious European criminal "Sandman" - played by Michael Rennie ) is a parody on J. Paul Getty owner of the Getty Oil Company and one of the richest men of the 1960s.

• Lee Meriwether plays Lisa Carson, a wealthy Gotham City socialite who is kidnapped by King Tut. Her father is John E. Carson - a parody on the legendary host of The Tonight Show, Johnny Carson.
• Gotham City's Mayor Linseed is a parody on John Lindsay, who served as Mayor of New York City from 1966 to 1973.

• Commissioner Gordon would occasionally speak on the phone to the state's governor, Governor Stonefeller. This is a parody on Nelson Rockefeller, who served as governor of New York from 1959 to 1973.

• The Pentagon becomes "The Hexagon" in the Batman series.

• Catwoman is known to have an additional hideout, "Cat-Lair West", across the river from Gotham City in "New Guernsey" a parody on New Jersey. (Guernsey and Jersey are both islands in the English Channel)

• In the Dr. Cassandra episode, the evil alchemist steals the Mope diamond (a parody on the famous Hope Diamond) from Spiffany's jewellers. Spiffany's is a parody on Tiffany & Co..

• One of Gotham College's basketball rivals is "Disko Tech" (a homophone of discotheque).

• The three-part Londinium episode during Batman's final season ("The Londinium Larcenies", "The Foggiest Notion", and "The Bloody Tower") was the series tribute to the Swinging London period of the 1960s. At the time of the show, everything British was "hot" in North America. Many aspects of London were parodied during the three episodes. The city's name is changed to Londinium, which was the British capital's name during Roman times. Scotland Yard becomes "Ireland Yard" in the series. Carnaby Street becomes "Barnaby Street". Fleet Street, the city's press district, is changed to "Bleet Street".

• Alan Hale Jr., who is famous for portraying Skipper on Gilligan's Island, appears as a guest in one episode. His character is named Gilligan.

External links

• Batmania UK :: 1966 Batman
• Batman (TV series) at the Internet Movie Database
• Batman (TV series) at TV.com
• Museum of Broadcast Communications
• The 1966 Batman TV Tribute Site
• The BatCave Fan Site
• The Bat Pages Note: this website contains the original screentests of Adam West, Burt Ward, and Lyle Waggoner.
• Batman: The Series @ Batman: Yesterday, Today, & Beyond
• Batman: The Movie @ Batman: Yesterday, Today, & Beyond
• BATMAN ON FILM
• Television Obscurities - Batgirl Promotional Short

References